F1 Singapore Grand Prix 2026 @ Marina Bay Street Circuit

Performers

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  Mark Ronson
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  James Arthur

  ‘Work With My Love’ with Alok is out now!

  jamesarthur.komi.io

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  Zara Larsson

  Zara Larsson is a Swedish singer and songwriter.

  Website: http://zaralarssonofficial.com/

  Twitter: @ZaraLarsson

  Instagram: http://instagram.com/ZaraLarsson

  Facebook: https://www.facebook.com/ZaraLarssonOfficial

  Snapchat: zaralarsson

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  Goo Goo Dolls

  Forming on Memorial Day 1986, the Goo Goo Dolls are an alternative rock band hailing from Buffalo, New York, USA. The band are best known for several multi-platinum albums and their top ten hit single "Iris".

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  Janet Jackson

  The official Facebook Page for Janet Jackson.

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  Zhu

  With his sleek synth melodies, billowing basslines, and undeniable hooks, the GRAMMY-nominated artist ZHU creates tracks that are as sexy as they are sinister and as indulgent as they are dark. Songs like his star-making hit “Faded,” with its 318 million streams, provide a noirish soundtrack for massive crowds of writhing bodies. Though many know ZHU as a producer and DJ, he’s much more than that: he’s also a singer, performer, instrumentalist, and, importantly, a songwriter and filmmaker, two facets he delves into on the ambitious and unique new album and film GRACE. “The most powerful thing we have is to be able to tell stories,” he says.

  “Settle for Less,” ZHU’s collaboration with Sabrina Claudio and latest single for Astralwerks, is a shining example of how he stirs powerful emotions with his stories and sounds. Beginning with only pensive piano keys, he builds an ethereal atmosphere through Claudio’s reverbed vocals and subtle background harmonies. Finally, the track opens up further with a sensual yet urgent, percussion-led rhythm as ZHU fights for a love on the edge: “You know you touch me in the broken parts / So don’t you leave.”

  ZHU worked to create a film (out this fall) that fully captures GRACE’s breathtaking audio-visual spectacle. The album—which will double as the film’s soundtrack—was recorded mostly at Grace Cathedral in ZHU’s hometown of San Francisco, among the stained-glass windows and marble columns where people preached, worshiped, and sought answers from a higher power. He channeled the grandness of the occasion into the LP with transcendent organs, string players, and even a choir. ZHU worked fast, recording with intensity and urgency, most of its tracks are single, live takes. Far from a standard dance record or a collection of singles, ZHU intends GRACE to be listened to from beginning to end, as he tells a story for which even he’s not completely sure of the ending.

  “This album is a real-life manifestation of some of the decisions I need to make,” ZHU says. “I’m kind of at this crossroads between some trajectories in my career: one which goes niche, and the other which goes for mass appeal; one in which I focus on being a producer, one in which I’m an artist; one in which I’m in the shadows, one in which I’m in the light.” Inspired by the rawness of acts like Massive Attack and Portishead—“I think their records are really good at expressing pain”—GRACE navigates this junction via a winding path of sounds and emotions. From the roaring, bass-warped aggression of “The Gates” and self-idolizing “Praise” to the sparkling, love-flushed breaks of “Dragonfruit” and introspective, downtempo closer “Blessings,” the album chronicles a carefully written journey from darkness to light, tension to release, uncertainty to peace. A decade into his career, ZHU is sharing his world in a way he hasn’t done before. “I felt like I needed to go back to where I grew up,” he says, “to tell the story of w